FREE COUNTRY is a German film (Freies Land, org.). The story plays out in former East Germany in 1992, so we are only a few years after the downfall of the Berlin Wall.
The film is a remake of the Spanish film Marshland that took place in Spain shortly after the Franco dictatorship ended. Both versions use the strange aftermath of their situations perfectly where the political (and personal) divide is rather extreme. People just don't believe in strangers!
I really don’t want to bash Free Country since I do think it’s a very good movie. However, there is nothing (except for one tiny scene) new in this German adaption. It is literally a scene-by-scene remake and as such, it’s more of a translation of the original script. And the mention of Stasi instead of Franco. That’s about it!
Had I not just rewatched the original, I probably wouldn’t have noticed all the similarities. And I definitely see the pure brilliance of moving the story to former East Germany shortly after the Berlin Wall came down. It makes perfect sense and ensures that the story will reach a new audience. More power to the story!
To me, this always seems like it must be very unfulfilling. I’ve only watched Marshland twice, but the last time I watched it was a few weeks prior to watching Free Country which is why I know for a fact that the two movies are virtually identical. However, the movie is still good and I like this version as much as the first.
The two main characters are played by actors you might recognize from two German Netflix series. Trystan Pütter plays Patrick Stein, the “by-the-book” cop who won’t help cover up crimes committed by other boys in blue (or whatever color they wore in 1990’s Germany).
In terms of Netflix series, Trystan Pütter was on the Netflix series Perfume, which was a really good German Netflix series. In fact, it’s one of those series that we really hope will get a season 2.
The most famous German Netflix series is probably Dark and Felix Kramer was part of that series. In Free Country, Felix Kramer plays Markus Bach who is the cop who gets things done. He does nothing by-the-book but he does get results.
Compared to the original Spanish movie, these two characters have been perfectly adapted to the 1990s Germany. Actually, they have been changed minimally, but they didn’t need to be either.
Christian Alvart directed and co-wrote Free Country with Siegfried Kamml as the other co-writer. Of course, the script was based on the Marshland screenplay (org. title La isla mínima) by Alberto Rodríguez and Rafael Cobos.
If this was the only Christian Alvart movie, I had ever watched, I would have no idea of his style since Free Country is so similar to Marshland.
However, this is far from the first movie by the German director. He directed the horror-mystery Case 39 starring Renée Zellweger in 2009. Also in 2009, he directed the sci-fi horror mystery Pandorum which I really liked. Do check that one out!
As a stand-alone movie, Free Country is definitely worth watching. Just be aware that if you’ve watched (and remember) the original, this one is very similar. But hey, that just means that it’s actually as good as the original.
Free Country (org. title Freies Land) is being screened at Fantasia 2020.Details
Director: Christian Alvart
Writers: Siegfried Kamml, Christian Alvart
Stars: Trystan Pütter, Felix Kramer, Nora von Waldstätten, Ludwig Simon, Nurit Hirschfeld
Plot
Löwitz, Germany, 1992. Just two years after the reunification of Germany, this remote area by the Szczecin Lagoon and the Polish border is now home to the brutal homicides of a pair of teenage sisters. Placed in charge of the investigation are two out-of-town detectives, Patrick Stein (Trystan Pütter) and Markus Bach (an unforgettable Felix Kramer), teamed up by government officials eager for a quick arrest to prove the new Germany can carry out swift justice. Berlin detective Stein is more refined than former Stasi detective Bach, but the two soon begin to uncover the dark secrets of a lawless backwoods area where a serial killer can run rampant for years before anyone notices…
