THE DESPERATE HOUR is a brand-new real-time thriller. Naomi Watts plays the pivotal lead role in the film. She is, in fact, the only person on screen for the most of the film. She communicates with others by smartphone, therefore there are voice actors throughout.
I was extremely enthralled while watching the first act of The Desperate Hour. Naomi Watts (Boss Level) performs admirably. As previously said, she spends the most of the film alone on screen. She isn't alone, though, unlike in a film like Tom Hanks' Cast Away (2000).
nstead, she interacts with quite a lot of other people. Very much along the lines of a movie such as Buried (2010) starring Ryan Reynolds. Incidentally, these two movies are written by the same screenwriter, so you know he can work this angle.
Also, The Guilty is another movie very easily compared to the style of The Desperate Hour. In that movie, a remake of a Danish film, we see a 9-1-1 operator talking to various people while almost entirely staying at the call center.
In The Desperate Hour, the storyline are unfolding in real-time. Also, the storyline was perfect for shooting while battling lockdown and restrictions, since Naomi Watts is running around in the woods with no one in close proximity for most of the runtime.
She does, however, have brilliant actors in the movie with her. Most of them only by way of being a voice on the other end of a telephone call. There are many key voice actors in The Desperate Hour and we’ve included the names of many in the final part of this review.
While this real-time storyline angle works perfectly for the opening of The Desperate Hour, it does begin to wear out a bit. Not due to Naomi Watts or the core plot. Instead, it’s because things in the storyline go from being relatable and organic to feeling rather forced.
I can’t say that things couldn’t possibly happen this way. However, it just all feels a bit too crazy at times.
The fact that this revolves around a school shooting is bound to irritate some viewers. Either because they can’t stand to watch and experience this, due to it hitting too close to home. Or because they consider it “woke”. Something that seems to be thrown around at every turn these days.
Every horror movie is accused of being “woke” in some way. Sometimes in understandable ways, but often not. A movie such as The Desperate Hour is touching on something that has been a far too active issue for decades. And yet, not much is done to fight the core of the issue. This is exactly what this movie also gets at.
Without getting “preachy”, I might add.
Watch The Desperate Hour in theaters or On Demand
Philip Noyce is the director of The Desperate Hour and he definitely knows how to create female-driven movies. He directed the hugely successful Salt (2010) starring Angelina Jolie. More recently, he also worked on the series What/If on Netflix.
The screenplay was written by Chris Sparling who wrote Buried (2010), Mercy (2016), The Warning (2018), and Greenland (2020), to name just a few. All of them feature thriller and/or action-driven plots that are audience pleasers. Sometimes more as “popcorn entertainment” than anything else. But all have value.
The Desperate Hour was originally titled “Lakewood” after the town (and school names) in the movie. I can see why this was changed, though it did make sense. Much like names such as “Columbine” and “Sandy Hook” have become synonymous with school shootings, so would Lakewood in this context.
And I do think this topic of a school shooting is incredibly relevant for a movie. For me, this particular storyline just includes far too many “entertainment” or “action”-driven plot points in the final part. Ultimately, the first half is very strong while the second goes a bit off the rails. Still, it is worth watching for that first half!
The Desperate Hour is out in Theaters, on Digital, and On Demand February 25, 2022.
