In the wake of bringing up an undeniable issue in the past episode, The One episode 3 endeavors to address it by opening with a year and a half prior flashback with Rebecca in Tenerife, becoming acquainted with Matheus and his brother, Fabio, at last welcoming the two of them back to London, and discovering Matheus talked out of the outing by his obstinate brother. Clever, isn't it, how someone who has employed influence so outrageously so far can't get things going without that club of money and impact.

In the current day, Rebecca has an initiative contest to stress over, with Damien plotting to have her spot on the board. He's scheming with a financial backer named Charlotte, so more coercion is all together. It seems like not everyone is as faithful to Rebecca as dear Holly, Damien's crush, and her position is in a level of peril. Once more, on the off chance that she loses a portion of that power she's so enamored with tossing around, what happens then?

Kate, in the mean time, keeps on burrowing, investigating the hole and visiting James, who gets estranged worryingly rapidly. He does well to get his legal advisor, truly. Kate is additionally still hung up on Sophia in a subplot that feels unnecessary now.

Talking about unnecessary subplots in The One episode 3, Mark and Megan! Those two meet, rather unavoidably given how Hannah has been continuing, and the last quickly begins freezing, accepting that their affection is essentially inescapable now. She does what she can to isolate them however the waiting looks say everything. Possibly DNA dating functions admirably!

At any rate James finds a backbone in The One season 1, episode 3, telling Rebecca that he kept an implicating bleeding shirt as guarantee. It reverse discharges, however, when Rebecca shows up with Connor, who sets about him. James will not surrender the area of the article of clothing and Connor won't kneecap James on Rebecca's solicitation, so it's somewhat of an impasse for the time being. We end with a cliffhanger including Kate and Sophia – really sneaking around! – which seems like the most un-fascinating approach, yet here we are. There's a functional dramatization here, yet the relationship business is proceeding to merge clumsily with the thrill ride plot.